Monday, September 18, 2023

Freedom and Mercy

 

The fastest way to freedom is to control your thoughts and feelings.
The thoughts and feelings are the dual activity of your own God Flame which is within you and is the only source and sustaining power of your being and world.

As the two activities of fire are light and heat si are the two activities of ifnfire within your thoughts and feelings and you are the Keeper of that fire God's Sacred Flame.

The Mastery of that Flame is the power to create your power to rise above the world of cause and effect for you are created in the image of God and you are the image of God.

Make an effort to be the master of your attention. Control your thoughts and feelings at all times for only in that master is your eternal freedom. (Discourse of Saint Germain)

Light will not enter into your life unless you let it and unless you request it to do so for you have free will.

There is a difference between sympathy and compassion.  Sympathy comes from human weakness and failure to understand the Law,  compassion comes from God and is divine.l abd that compassion in action is Mercy.

The most merciful thing that you can do is be always tolerant in your thoughts and feelings toward others and toward every living thing to think nothing but God. That is what true Mercy is.

According ro the degree of sincerity, the degree of your true desire for knowledge is the degree you are answered by every call every question in the mind of man is a magnet and that magnet inexorably attracts in the perfect time the answer to it.


Source: "I AM The Open Door Ascending Master Discourses"

Saturday, May 20, 2023

Prentice Mulford

Prentice Mulford (April 5, 1834 – c. May 30, 1891) was an American literary humorist and California author. In addition, he was pivotal in the development of the thought within the New Thought movement. Many of the principles that would become standard in the movement, including the Law of Attraction, were clearly laid out in his Your Forces and How to Use Them, released as a series of essays during 1886–1892.

Prentice Mulford was born in Sag Harbor, New York, in 1834, and in 1856 sailed to California where he would spend the next 16 years.[2] During this time, Mulford spent several years in mining towns, trying to find his fortune in goldcopper, or silver. After leaving the mining life, Mulford ran for a position on the California State Assembly in Sacramento. Although he was nominated, he ultimately lost the election. He returned to San Francisco and began writing for a weekly newspaper, The Golden Era. Mulford spent five years as a writer and editor for various papers and was named by many San Franciscans a "Bohemian" because of his disregard for money. Mulford states in his autobiography, "poverty argued for us possession of more brains" (Prentice Mulford's Story 130). He became known for his humorous style of writing and vivid descriptions of both mining life and life at sea. In 1872 Mulford returned to New York City, where he became known as a comic lecturer, a poet and essayist, and a columnist for The New York Daily Graphic from 1875 to 1881. Mulford was also instrumental in the founding, along with other notable writers, of the popular philosophy New Thought. Mulford's book Thoughts are Things served as a guide to this new belief system and is still popular today.

His body was found lying in a boat in Sheepshead Bay, Brooklyn, on May 30, 1891, where it had been drifting for several days.[3] He was buried in his family's private vault in Sag Harbor, and later moved to Oakland Cemetery there.


Partial works

  • Thoughts are Things (1889)
  • Your Forces and How to Use Them (In six volumes, published in 1888)
  • The Swamp Angel, 1888
  • The Gift of Understanding
  • Gift of the Spirit (1904) 1st edition- with an introduction by Arthur Edward Waite
  • Gift of Spirit (1917 2nd revised ed.)
  • Thought Forces Essays Selected from the White Cross Library (1913)
  • The God in You, 1918
  • Prentice Mulford's Story: Life by Land and Sea (1889)

https://youtu.be/nc4nG9592uU


https://youtu.be/nc4nG9592uU

Thursday, May 18, 2023

The Count of Saint Germain

https://youtu.be/MvB4rSrEd5Y


The count claimed to be a son of Francis II Rákóczi, the Prince of Transylvania, which could possibly be unfounded.[10] However, this would account for his wealth and fine education.[11] The will of Francis II Rákóczi mentions his eldest son, Leopold George, who was believed to have died at the age of four.[11] The speculation is that his identity was safeguarded as a protective measure from the persecutions against the Habsburg dynasty.[11] At the time of his arrival in Schleswig in 1779, St. Germain told Prince Charles of Hesse-Kassel that he was 88 years old.[12] This would place his birth in 1691 when Francis II Rákóczi was 15 years old.

St. Germain was supposedly educated in Italy by the last of the Medicis, Gian Gastone, his alleged mother's brother-in-law. He was believed to be a student at the University of Siena.[9] Throughout his adult life, he deliberately spun a confusing web to conceal his actual name and origins, using different pseudonyms in the different places of Europe that he visited.

The Marquis de Crequy declared that St. Germain was an Alsatian Jew, Simon Wolff by name, and was born at Strasbourg about the close of the 17th or the beginning of the 18th century; others insist that he was a Spanish Jesuit named Aymar; and others again intimate that his true title was the Marquis de Betmar, and that he was a native of Portugal. The most plausible theory, however, makes him the natural son of an Italian princess and fixes his birth at San Germano, in Savoy, about the year 1710; his ostensible father being one Rotondo, a tax-collector of that district.

— Phineas Taylor BarnumThe Humbugs of the World, 1886.

The Comte de Saint Germain (French pronunciation: ​[kɔ̃t də sɛ̃ ʒɛʁmɛ̃]c. 1691 or 1712 – 27 February 1784)[3] was a European adventurer, with an interest in science, alchemy and the arts. He achieved prominence in European high society of the mid-18th century. Prince Charles of Hesse-Kassel considered him to be "one of the greatest philosophers who ever lived".[4] St. Germain used a variety of names and titles, an accepted practice amongst royalty and nobility at the time. These include the Marquis de Montferrat, Comte Bellamarre, Chevalier Schoening, Count Weldon, Comte Soltikoff, Manuel Doria, Graf Tzarogy, and Prinz Ragoczy.[5] To deflect enquiries as to his origins, he would make far-fetched claims, such as being 500 years old,[6] leading Voltaire to sarcastically dub him "The Wonderman" and that "He is a man who does not die, and who knows everything".[7][8]

An engraving of the Count of St. Germain by Nicolas Thomas made in 1783, after a painting then owned by the Marquise d'Urfe and now lost.[1] Contained at the Louvre in France.[2]

His real name is unknown while his birth and background are obscure, but towards the end of his life, he claimed that he was a son of Prince Francis II Rákóczi of Transylvania. His name has occasionally caused him to be confused with Claude Louis, Comte de Saint-Germain, a noted French general.


count's remaining effects in case no living relative would appear within a designated time period to lay claim on them.[28] Prince Charles donated the factory to the crown and it was afterward converted into a hospital.

Jean Overton Fuller found, during her research, that the count's estate upon his death was a packet of paid and receipted bills and quittances, 82 Reichsthalers and 13 shillings (cash), 29 various groups of items of clothing (this includes gloves, stockings, trousers, shirts, etc.), 14 linen shirts, eight other groups of linen items, and various sundries (razors, buckles, toothbrushes, sunglasses, combs, etc.). No diamonds, jewels, gold, or any other riches were listed, nor were kept cultural items from travels, personal items (like his violin), or any notes of correspondence.

Trio SonatasEdit


Six sonatas for two violins with a bass for harpsichord or violoncello:


Op. 47 I. F major, 4/4, Molto adagioOp. 48 II. B-flat major, 4/4, AllegroOp. 49 III. E-flat major, 4/4, AdagioOp. 50 IV. G minor, 4/4, Tempo giustoOp. 51 V. G major, 4/4, ModeratoOp. 52 VI. A major, 3/4, Cantabile lentoViolin solosEdit


Seven solos for solo violin:


Op. 53 I. B-flat major, 4/4, LargoOp. 54 II. E major, 4/4, AdagioOp. 55 III. C minor, 4/4, AdagioOp. 56 IV. E-flat major, 4/4, AdagioOp. 57 V. E-flat major, 4/4, AdagioOp. 58 VI. A major, 4/4, AdagioOp. 59 VII. B-flat major, 4/4, AdagioEnglish songsEditOp. 4 The Maid That's Made for Love and Me (O Wouldst Thou Know What Sacred Charms). E-flat major (marked B-flat major), 3/4Op. 5 It Is Not that I Love You Less. F major, 3/4Op. 6 Gentle Love, This Hour Befriend Me. D major, 4/4Op. 7 Jove, When He Saw My Fanny's Face. D major, 3/4Italian ariasEdit


Numbered in order of their appearance in the Musique Raisonnee, with their page numbers in that volume.[31]


The best-known biography is Isabel Cooper-Oakley's The Count of St. Germain (1912), which gives a satisfactory biographical sketch. It is a compilation of letters, diaries, and private records written about the count by members of the French aristocracy who knew him in the 18th century. Another interesting biographical sketch can be found in The History of Magic, by Eliphas Levi, originally published in 1913.

* An asterisk marks titles performed in L'Incostanza Delusa and published in the book of Favourite Songs from that opera.Op. 1 IV, pp. 16–20. Senza pietà mi credi,* G major, 6/8 (marked 3/8 but there are 6 quavers to the bar)Op. 2 VIII, pp. 36–39. Digli, digli,* D major, 3/4Op. 3 IX, pp. 40–45. Per pieta bel Idol mio,* F major, 3/8Op. 4/17 XIII, pp. 58–61. Se mai riviene, D minor, 3/4Op. 8 I, pp. 1–5. Padre perdona, oh! pene, G minor, 4/4Op. 9 II, pp. 6–10. Non piangete amarti, E major, 4/4Op. 10 III, pp. 11–15. Intendo il tuo, F major, 4/4Op. 11 V, pp. 21–26. Già, già che moria deggio, D major, 4/4Op. 12 VI, pp. 27–31. Dille che l'amor mio,* E major, 4/4Op. 13 VII, pp. 32–35. Mio ben ricordati, D major, 3/4Op. 14 X, pp. 46–50. Non so, quel dolce moto, B♭ major, 4/4Op. 15 XI, pp. 51–55. Piango, è ver; ma non-procede, G minor, 4/4Op. 16 XII, pp. 56–57. Dal labbro che t'accende, E major, 3/4Op. 18 XIV, pp. 62–63. Parlerò; non-e permesso, E major, 4/4Op. 19 XV, pp. 64–65. Se tutti i miei pensieri, A major, 4/4Op. 20 XVI, pp. 66–67. Guadarlo, guaralo in volto, E major, 3/4Op. 21 XVII, pp. 68–69. Oh Dio mancarmi, D major, 4/4Op. 22 XVIII, pp. 70–71. Digli che son fedele, E♭ major, 3/4Op. 23 XIX, pp. 72–73. Pensa che sei cruda, E minor, 4/4Op. 24 XX, pp. 74–75. Torna torna innocente, G major, 3/8Op. 25 XXI, pp. 76–77. Un certo non-so che veggo, E major, 4/4Op. 26 XXII, pp. 78–79. Guardami, guardami prima in volto, D major, 4/4Op. 27 XXIII, pp. 80–81. Parto, se vuoi così, E♭ major, 4/4Op. 28 XXIV, pp. 82–83. Volga al Ciel se ti, D minor, 3/4Op. 29 XXV, pp. 84–85. Guarda se in questa volta, F major, 4/4Op. 30 XXVI, pp. 86–87. Quanto mai felice, D major, 3/4Op. 31 XXVII, pp. 88–89. Ah che neldi'sti, D major, 4/4Op. 32, XXVIII, pp. 90–91. Dopp'un tuo Sguardo, F major, 3/4Op. 33 XXIX, pp. 92–93. Serberò fra' Ceppi, G major, 4/4Op. 34 XXX, pp. 94–95. Figlio se più non-vivi moro, F major, 4/4Op. 35 XXXI, pp. 96–98. Non ti respondo, C major, 3/4Op. 36 XXXII, pp. 99–101. Povero cor perché palpito, G major, 3/4Op. 37 XXXIII, pp. 102–105. Non v'è più barbaro, C minor, 3/8Op. 38 XXXIV, pp. 106–108. Se de' tuoi lumi al fuoco amor, E major, 4/4Op. 39 XXXV, pp. 109–111. Se tutto tosto me sdegno, E major, 4/4Op. 40 XXXVI, pp. 112–115. Ai negli occhi un tel incanto, D major, 4/4 (marked 2/4 but there are 4 crotchets to the bar)Op. 41 XXXVII, pp. 116–118. Come poteste de Dio, F major, 

Wednesday, December 1, 2021

Auld Lang Syne - New Year Song

The Song we sing at New Year Eve was the last song of Lemuria. Auld Lang Syne. The People of Earth have brought this song forth again through the Irish peoples and very prophetic words have been added.Should Old acquaintances be forgot. What do you think we are doing together this song

https://youtu.be/ad5027ErcKc

https://youtu.be/11wYCgYms2I

https://youtu.be/wPnhaGWBnys

https://youtu.be/PHArJzJ697A

https://youtu.be/Mj30puu3gJg



Tuesday, November 30, 2021

Lemuria and Lemurians

Ahnahmar has been living in the same body since the devise of Lemuria. Ancient Sacred citiesnandntemples still exist in the fifth dimension.

In the Mount Shasta  exist entrance ti multi dimensional corridors a d portal,  energy wortexes, fairs lands and even a place where a.large family of unicorn live. Theybreside in a dimension that is slightly above ours and are visible only to those with expanded inner vision.

These places remain veiled until rhebright vibration prevails on our planet.

Lemurians have a council of twelve of Telos (that is a  underground city) , they have a king and Queen of Telos Ra and Rana Mu.

Lemurians are the survivors of a mighty civilization, they are real, verybwell and alive within mount Shasta California after 12,0000 years of separation from the surface population.

They are planning to emerge among you in the near future, and ti assist the surface dwellers to create a paradise on the Earth.

Mount Shasta is one of the most sacred places on the planet. It is a mystical.power source formthisnEarth and a focusnfor a.city of light fornangels, Spirit Guides, soaceships and Ascending masters from the Light Realm.and many dimensions.

MountnShasta is also rhe home for the survivors of Ancient Lemuria.

Mount Shasta isnthe home of many present day Lemurians whonare survivors of the sinking of the continent Lemuria over 12000 years ago. They are well and physically alive and living in the fifth dimensional existence that isnyet invisiblento our eyes.

The surface vibration is currently transitioning from the third dimensional intonanforth/fifth dimensional reality.

The other dimensions exist around us but most people living on the surface do not yet possess a consciousness evolved enough to perceive them.

Prior to the sinking of their continent the ancient Lemurians were fullybaware of the eventual.destiny of their land.and used their mastery if energy, crystals sound and vibrations to Hollow out a vast underground city with the intention tonpreserving their culture their treasures  and theirnrecords of ancient Earth history.

Lemuria was once a large continent larger than North America connected to parts of  California, Oregon,Nevada and Washington States.
Thus cintinent disappeared in Pacific 12000 years ago. Approximately 25000 Lemurians were able to migrated into the interior of Mount Shasts aling with the most important administration centres prior to the sinking of their continent.

They are still here bin the physical immortalized bodies living life in an unlimited fifth dimension.

Native Americans believe that Mount Shasta is a place of such impose grandeur thatbits existence can be attributed to the creation of the Great Spirit.

In 1940nDr M Doreak claimed that he visitedbthe Lemurians inside their mountain. He said rhebrhe space hebwas shown was about 2 miles height and 20 miles long.

Hensaid that the light inside the mountain was a s brighter as the summer day and was created by a giant  growing mass of light.susoended in the center of that cavern.

The Lemurians told the man that there are a series of tunnels left by vulcano that ran under the earth like a freeways a world within a world.

Lemurians had reportedly mastered atomic energy, telepatic  and clairvoyant skills, electronic and science as much as 18000 years ago.

Most of their technology is controlled by thought.

In ancient times they propelled their boats using the radiant energy ofbthe crystals.

They used airships tontravel to Atlantis and other places.

Today they have a fleet of spaceships called Silver Fleet with whichbtheybtravel to and from mountain and out into space.

They have the ability to render their spaceship invisibke and silent to avoid being detected by the local and National military.

Although theynar physical in nature they are able to shift their energyfields from the third to forth and fifth dimensional vibration and become visible or invisible at will.

Mount Shasta is not only a home for the Lemurians but isnalso an inter planetary and intergalactic multindimensiinal portal.

There us a huge etheric city of light above Mount Shasta called the crystal city of the Seven rays.

Mount Shasta has the tendency tonrevealherself only to those who honor life themselves for who they  truly are rhe Eartg and all other Kingdoms staring the planet.

From 
Telos Volume 1 Revelation of the New Lemuria
By Aurelia Louise Jones.

Monday, October 11, 2021

Medical Art

 

In the book, The Breath of Life and The Flame Divine ( 1957) Hilton Hotema wrote about medical art.

The medical art is one of the biggest frauds on Earth. Its History of fatal errors and its path is strewn with the noses of its trustful victims. It kills and cripples many but cures none. It is nothing but voodooism of the savage modernized bu chicanery, animated by trickery and perpetuated by dishonesty. It should be outlawed as a positive menace to mankind.

The body can make no use of medicines, remedies, drugs, vaccines, serums, and all other poisons used by the medical art. These poisonous cripple and kill many but cure none.

The body manufactures its products and can use no other This law of the living body is in force at all times and is never nullified nor modified by its aliments. The body in all conditions remains always subject to the same immutable law.

No system of treating the sick has ever grown so fast against strong medical opposition as Chiropractic has. The reason is that recognizes Life as a power distinct from the body.

Chiropractic succeeds because it deals with the nerve system of this Astral body the Flame divine.

Medical art fails because it deals with tricky unreliable changeable symptoms, and changes treatment as symptoms change. A hot or miss method, based on observation, speculation, conjecture. It has no law nor principle.

Sunday, October 3, 2021

Life and Cosmic Radiation

Fire is the most ancient symbol of Life and the greatest of all purifying agencies.

According to the ancient Astrology "the entire universe is Fire in the process ofof transformation. "

Clements of Alexandria said "Fire from the Sun  is first changing to air, the to moisture, and from this came the earth also all things on it.

Cosmic Radiation was named by the ancients  Astral Ray's and it was the fundation of their science if Astrology.

Cosmic Radiation strikes the Earth in large quantities. Every second it breaks up 20 atoms in every cubic inch of our atmosphere and.mimlions of atoms in our bodies and we know not of what this psychological affects may be.

Cosmicnrays contact the earth's magnetic field (aura) as electrons of more than 10 million volts, and oenetrate more thN 700 feet into the Earth's crust. Some assert that certain rays pass entirely thru the earth.

We hardly know anything about the effects of Cosmic Radiation on human beings

George Lakhovaky French sxientist I  his book "Secrets of Life" he dealt with the effects of the Astral Rays upon the body's cells and tissues.

Lakhovsky showed that

1.the body cell is composed of nucleus containing chromosomes surrounded by cytoplasm and a cell wall.

2. Chromosomes are composed of insulating material lipods, filled with conducting fluid of a certain chemical.cimpisition.

3.this organization forms an oscillating circuit if excessively small wave length  arable of self inductuon and capable to  irate at terrific speed, equivalent to that of Asfral Rays.

4. Body cells are bipolar mechanisms.

5 Chromosomes are tiny antennas that pick up or receive astral radiation and convert it into Vito electric currents under the Asfrological Law if Animation, thus formating a Law of Psychology, Biology and Physiology.

6. And that is the secret ofcelular activity not the chemical changes occuring in the body cells as science erroneously claims.

7.Astral Rays occuring through the nerves as electricity flows through vires produce the organization called Life which makes Life a priduxt not a principle.

Extracts from the book: "The Breath of Life and the Flame Divine (1957)" by Hilton Hotema